The Boom Bap and Acid Rap 2016 Year End Awards, Pt. 7

ALBUM OF THE YEAR:

THE SHORTLIST:

  • A TRIBE CALLED QUEST – WE GOT IT FROM HERE… THANK YOU 4 YOUR SERVICE
  • KENDRICK LAMAR – UNTITLED UNMASTERED
  • TRAVIS SCOTT – BIRDS IN THE TRAP SING McKNIGHT
  • ANDERSON .PAAK – MALIBU
  • SKEPTA – KONNICHIWA
  • DANNY BROWN – ATROCITY EXHIBITION
  • KEVIN GATES – ISLAH
  • YG – STILL BRAZY

THE WINNER:

  • TRAVIS SCOTT – BIRDS IN THE TRAP SING McKNIGHTtravis-scott

If you listen to only eight albums this year, make it these ones. Every single one of them is a masterpiece in its own right. YG remained the flag-bearer of modern West Coast gangster rap. Skepta crossed the pond with the very British Konnichiwa. Kendrick Lamar managed to get into the conversation by putting out a collection of leftovers from his previous two albums. A Tribe Called Quest surprised everyone by recreating their signature sound in 2016. Danny Brown gave a perfectly gritty account of his drug abuse and mental health over cluttered, biting beats on Atrocity Exhibition. Anderson .Paak properly introduced himself to the world stage after featuring heavily on Dr. Dre’s Compton the year previously with an album that infused countless genres. Kevin Gates went from internet darling to outselling Adele in first week sales.

Despite all this, Travis Scott let his ambition carry him to putting out the greatest album of ate, with fourteen excellent tracks. A star-studded supporting cast including Andre 3000, The Weeknd, Kid Cudi, Kendrick Lamar and Bryson Tiller helped BITTSM overcome all its competition this year. Peaking at number one in the Billboard 200, Scott became an icon with this album.

SIDENOTE:

ferg

The worst hip-hop album this year goes to A$AP Ferg with Always Strive and Prosper. I’m not sure if it’s just because he’s frequently seen beside the most charismatic man in hip-hop, A$AP Rocky but Ferg is probably the least cool rapper there is. Despite being woefully lame, Ferg’s music is usually pretty good. His 2013 debut album Trap Lord was critically acclaimed and was admittedly excellent. However, this year, Ferg’s music seems to have caught up with his personality. Always Strive and Prosper comes off like it’s confused and directionless and may have driven off some of the fans he won with Trap Lord. Apart from New Level which was brilliant (wholly thanks to Future), nothing here stands out at all. Sure, the production values are high and he has some high-profile features but the lostness and distractedness of it all just makes it unlistenable.

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